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Elephant Carcasses Stained with Vulture Droppings Lie in a Field in Uganda Hey! Its a crazy world, this battered series of perceptions, the red indolent glazing of her tongued hibiscus, shivering and staggering at 3 am on A Sunday before the papers and the spiritual assembly has arrived, alas (we live in separate monadic episodes carved in the ivory of temporal lobes) the tedium of the locomotive squealing the arbitrary corundum-hard gaze of morning apparitions and symbolic quiescence in the shimmering doldrums of laconic light.
Events unfold and loom before us like an argon mask bubbling in the antique atmosphere there lie the elephants: slow-mating, not-forgetting death mounds splayed in the African sun, maps of themselves lying in a naked reality of soil like the Borges tale rotting in the blunt Auschwitz terrain of the ivory butcher's perfumed massacre. Information flows, great networks interconnecting with spatial liquidity in the dust-wrung air, speaks of how we are moving towards a frightening conclusion:
the painful squeeze of the dolomitic air. Then there is the matter of the elephants and to be morbidly tattooed with the excrement of your own flesh to be held soft by a lover in the arcane world of hope, to dance in the erotic foliage of the trill invincible air, of the same stuff as the elephant once breathed. (flesh eating rock can be carved the same as ivory) II That the excrement of vultures is white fecal paint on the kabuki face of death is perhaps a detail that goes unnoticed in the living rooms of most Americans and their kin, while grandma that illusive wisp of a woman offers up nothing more of herself than recipes, weather reports and medical synopses prepares dinner when from nowhere she pictures a vulture tearing flesh and screams, drops dinner, chicken in white flour, the color of vulture droppings, goes everywhere and the family comes a runnin' she stares ( eyes white ( as titanium oxide she glimpsed the other side the magic underbelly ) of every moment ) vast oceans of understanding thunder and roar in her ears stones are gathering under the Earth's crust, under the weight of the dead pachyderms she feels magma pouring into voids the ecclesiastic pull of hydrothermal liquids warring elements of dark metallic species bubbling in a matrix of crystalline complexity. III Give them proper burial! I find myself screaming from a dark pulpit, neon signs flash around, strange shadows, half shadows, penumbral scents drifting in and out of consciousness, give them linkage, allow them to converge on holy ground, allow them more than hollow dignity -- protect them from the discrete estimators of human indifference. IV Awake, early morning, thinking of the elephants: my own transformation, Once I sized up ivory for the taking, rented planes to search the interior, elaborate plans, expectations that everything would be provided on time for GREAT WHITE HUNTER, darting amongst elephant legs and trunks. V We are a delicate breed of sardonic wits: murdered commuters no less innocent than the elephants, boiled in our sad tanks on the way home from work -- relieved of our duties, fired terminated, canned. There is no death 'cept the cool breath which seeps in under the door and how you learn to live with it and how you learn to score but, then again the elephants were killed by family men to support children, aspirations, dreams of a better life (career goal: ivory poacher, unlikely), they were slaughtered by men with values of their own, religious icons kept around the house, night school, learn dry wall, computers, estimate the size of your own superstition earn money in your sleep learn to be good neighbor to everyone, but large gray quadrupeds, I remember Babar, like it was yesterday, he had charisma he was Eur-African/Asian, the ear size is how you tell and I can't quite remember his, but nonetheless where everything leaves its own scent the earth becomes a complex of distant rain. VI The fear of nuclear war is passe ˘‘cept perhaps North Korea. Does North Korea have zoos: elephants? Poems not allowed I bet. Who are these people -- the postmodern era is full of people who are not, what do they care about elephants, lying dead in some stinkin' African jungle.Political rituals -- bombast spread wide as the wings of vultures. Everyone gathers in a large room, Piss on the dictator: someone might be thinking but he ain't saying. He might be dreaming of elephants who dance in a circus, somewhere distant with candy and popcorn. VII Am alone in my room again focused on primal dirt distracted by an electronic medium I don't understand pretending some modicum of normalcy amidst the rotting flesh of uncomfortable circumstance the thorough and precise slaughter of all relevant ideas for a vague trophy with which to wave about and how the language of randomness let's you take your place among several billion souls you could be an elephant hunter or the buyer of ivory, you could wear a hollow smile and rehearse how to appear at parties, as though everything is explainable in quick pithy staccato, as though anybody gives a damn about the unlucky few. You could stare at the elephants lying, couldn’t you? Emptying every other glass of wine with a shrill laugh and a sense of abandon. Note: You = Me © Copyright 2001 - 2003 Perry M. Lindstrom |
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